Nov 27, 2025
3 min read
Why do half-naked women stretch on poles?"My World" seems predictable as a show concept — and redundant as a statement.
About lidemann, stage, need an open body.They are ready for the big screen at the back of the band unlike other images, black and white or white of the focus of the performance of the performance.
It seems to be a mantra of the mind, oscillating between urological voyeurism and extreme fetishism, while labia flutter, muddy food and unknown objects that don't belong in the mouth or intestines – an avoidance of scandal, which seems strangely antiquated in the age of social media and machine intelligence.
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In Hagenbeck's circus rings, the focus of the ring with RING was seen using the moon and two circus rings.
So why all the glitter in the Olympic Hall?Why do half-naked women who constantly toss around guitars and poles associate "heart" with "pain," "broken" with "sting" and unnatural directness, describing primarily sexual intercourse as forced, painful, or frustrating?Why does the stage character Till Lindemann put himself in the spotlight as a golden-faced and bald-headed goblin to the supposed male imagination?
In music, "my country" is not very satisfying
In any case, one thing quickly becomes clear.The production loves the monumental.During the night of the concert, lifting platforms or platforms are repeatedly pushed and the musicians are placed on columns.There is always movement somewhere on stage, hair blowing, legs spread and instruments placed.Flashing lights create dazzling effects, props like artificial fish are thrown into the audience, it's a sensory overload fireworks display.
“My child” is followed by an image of something that is too much.As with many associations, it is possible to create the feeling of breathing, but the idea is what it is.
It's also that there really isn't much to say.Lindern's songs, more educational and declarative than Sung Sung, rotten and disgusted with disgust and significant vulnerability seem far away, which in the dark pass the legitimate questions of art.
It's the stage character who sings lines like: "In my dance teacher / I love me so much / Because I love her so much."Or Joe, who cries at the beginning of the concert: "The old body / Wrinkles are gone / Atrophied on the genitals / Hair has grown everywhere / Shot before the bump," and then gets lost in the monumental sea of his own transience.Or as an encore, barely poetically enigmatic, he tells the audience: "I hate children / Here's the question of all / You can hate children / No, I love them / Yes, I love them / All children big and small / But let them be mine."
In front of the hall, the Olympic Tower is launched in conjunction with the "Orange World Reserved" campaign launched by the United Nations and the United Nations to draw attention to girls and women.
There will be a demonstration in the Olympic Park that evening - the protesters find it defiant that a Lindemann concert is taking place on this day of all days.
In the hall is Till Lindemann, a stage character who sings "I Hate Children."For what reason?
Lastly, musically, the "My World" program sounds routine but not very creative.The technically perfect band presents an 80-minute program that is very similar in terms of dramaturgy and arrangement.There are exceptions, such as the quieter song "Dance Teacher" and a rock-funk excursion in which Lindemann is pushed around by the audience on a transparent disco ball.
Beyond that, extreme dynamic contrasts dominate around flat metal guitar riffs as well as powerful drum beats, which occasionally encourage the musicians to push forward.Lindemann is constantly being kicked around, emaciated rather than comical as relief.
"My world" seems to be an expression of opinion, meaning as a provocation and superfluous as a statement.After the concert you can see the Olympic tower near the hall of dreams.It's true what it is all about.
